Bjork criticizes Spotify and on-line streaming
Bjork doesn’t appear to be a fan of Spotify.
The music creator is making headlines after a current interview with Swedish outlet Dagens Nyheter, the place she expressed her sturdy disapproval of Spotify, calling it “the worst thing that has happened to musicians.”
The remark comes because the Icelandic singer-songwriter promotes her new Apple TV+ live performance movie Cornucopia, which begins streaming right now.
Within the interview, Björk shared her ideas on the challenges musicians face in right now’s streaming-dominated music trade. Whereas discussing her love for stay performances, she famous how the monetary pressures on youthful artists typically drive them to rely closely on touring.
“The live part is, and always will be, a big part of what I do,” she stated, as translated from Swedish and reported by NME. “But I’m lucky because I no longer have to raise money on touring, which younger musicians are often forced to do.”
She then went on to criticize the affect of streaming platforms, saying, “Spotify is probably the worst thing that has happened to musicians. The streaming culture has changed an entire society and an entire generation of artists.”
As additionally defined by Selection, Björk’s remark highlights the broader challenges of the streaming financial system.
Whereas platforms like Spotify have performed a major function in curbing unlawful music downloads and offering income to the music trade, they’ve additionally been criticized for providing low payouts to artists.
On common, streaming companies pay between $0.003 and $0.005 per stream, with funds going to rights-holders like labels and publishers, who then distribute earnings to artists, songwriters, and different stakeholders.
For comparability, artists have traditionally earned considerably extra from the sale of bodily merchandise like vinyl and CDs. Björk’s critique sheds gentle on the rising frustrations of many musicians who really feel undervalued in an trade more and more dominated by streaming platforms.
Björk’s remarks are prone to resonate with fellow artists who share issues concerning the sustainability of streaming as a viable earnings supply.
Because the music trade evolves, her feedback add an essential perspective to the continuing dialogue about truthful compensation for creators.