What makes a report of the 12 months? On the Grammy Awards, it may be a shocking efficiency or an ingenious manufacturing, a glimpse into the long run or a look on the previous, a worldwide smash or an obscurity by a longtime fave. Forward of Sunday’s 67th Grammys, right here’s a ranked checklist of all 66 songs which have gained report of the 12 months for the reason that Recording Academy’s first ceremony in 1959. Organized from worst to finest, the rundown contains professional commentary from half a dozen earlier winners: Sheryl Crow, Toto’s Steve Lukather, producer Mark Ronson, Michael McDonald, Stylish’s Nile Rodgers and Charles Kelley of the nation trio Woman A.
Days of Wine and Roses
Henry Mancini, 1964
Over Barbra Streisand’s “Happy Days Are Here Again”?
Theme from ‘A Summer Place’
Percy Religion, 1961
Over Ray Charles’ “Georgia on My Mind”??
Nel Blu Dipinto Di Blu (Volare)
Domenico Modugno, 1959
Over “The Chipmunk Song”???
Right here We Go Once more
Ray Charles and Norah Jones, 2005
A posthumous win for Charles that you could scorn and sympathize with on the identical time.
This Is America
Infantile Gambino, 2019
A report that already feels not possible to elucidate.
Keep With Me
Sam Smith, 2015
Probably drearier than you bear in mind.
Stan Getz and Astrud Gilberto, 1964.
(LMPC through Getty Pictures)
Sunny Got here Dwelling
Shawn Colvin, 1998
One purpose to be glad that this completely strange folk-pop ditty gained report and tune of the 12 months: the chance it gave Ol’ Soiled Bastard to interrupt Colvin’s tune of the 12 months speech to proclaim that “Wu-Tang is for the children.”
Bette Davis Eyes
Kim Carnes, 1982
Report of the 12 months enters the MTV period.
One other Day in Paradise
Phil Collins, 1991
Proper singer, incorrect tune.
Stroll On
U2, 2002
A dose of well-meaning reassurance within the wake of 9/11.
Don’t Fear, Be Joyful
Bobby McFerrin, 1989
“He’s one of the greatest jazz singers of all time — like Al Jarreau on steroids — and he wins for making some little f—ing novelty song,” Lukather says of McFerrin’s a cappella chart-topper. “Hit records are a blessing and a curse, man.”
All the pieces I Wished
Billie Eilish, 2021
“This is really embarrassing for me,” Eilish confessed as she picked up her second straight report of the 12 months award — a prize the 19-year-old spent the remainder of her speech saying ought to have gone to Megan Thee Stallion for “Savage.” (She was in all probability proper.) What’s humorous — and a bit tragic — in regards to the dreamy “Everything I Wanted” is that it’s roughly about making an attempt to deflect reward just like the academy’s: “If they knew what they said would go straight to my head,” Eilish sings, “what would they say instead?”
Whitney Houston, 1986
(Elise Amendola / Related Press )
Graceland
Paul Simon, 1988
Twelve months after Simon’s “Graceland” was named album of the 12 months on the 1987 Grammys, still-besotted voters bestowed the LP’s title monitor with the prize for report of the 12 months.
Not Able to Make Good
The Dixie Chicks, 2007
Extra of an ethical victory than a artistic one.
Boulevard of Damaged Desires
Inexperienced Day, 2006
A nice Inexperienced Day tune, however the band was extra deserving of the report prize a 12 months earlier than with “American Idiot,” which misplaced to that middling Charles/Jones duet. In 2006, there was no justifying “Boulevard” over Mariah Carey’s “We Belong Together.”
Tears in Heaven
Eric Clapton, 1993
An unimaginable horror results in an inevitable win.
Unforgettable
Natalie Cole with Nat King Cole, 1992
Natalie Cole’s digital duet along with her late father might’ve been stiff, creepy or worse; by some means it ended up deeply endearing.
A Style of Honey
Herb Alpert’s Tijuana Brass, 1966
Among the many data vanquished by Alpert’s finger-snapping instrumental: the Beatles’ “Yesterday.” Says Lukather: “It was all jazz guys voting back then — jazz and classical musicians. The Beatles were rock ‘n’ roll. There was no way they were gonna let those guys win.” Certainly, Bob Dylan’s epochal “Like a Rolling Stone” wasn’t even nominated.
Bobby Darin, 1960
(Michael Ochs Archives / Getty Pictures)
I Truthfully Love You
Olivia Newton-John, 1975
Mild, beautiful — and undoubtedly not higher than Joni Mitchell’s “Help Me,” which it nonetheless defeated.
Stunning Day
U2, 2001
Grammy voters can hardly ever resist an act’s rededication to its fundamentals.
Use Someone
Kings of Leon, 2010
Uptown Funk
Mark Ronson that includes Bruno Mars, 2016
Ronson credit the “Today” present’s Hoda Kotb, of all individuals, for serving to to interrupt this future wedding-reception staple: “She talked about it for like 20 minutes one morning — ‘I love this Bruno Mars song’ — and next thing I know, it shot into the top five on the iTunes Store. Then it didn’t leave for six months.”
About Rattling Time
Lizzo, 2023
A bass line for the ages.
Wind Beneath My Wings
Bette Midler, 1990
“Hey, Bonnie Raitt — I got one too.” That’s how Midler, then 16 years previous her first Grammy, accepted the ultimate award of 1990’s ceremony, not lengthy after Raitt sealed a midlife comeback of her personal with an album of the 12 months win for “Nick of Time.” As a chunk of songwriting, Larry Henley and Jeff Silbar’s “Wind Beneath My Wings” is fairly drippy (which might be why it additionally gained tune of the 12 months). However Midler’s vocal makes it soar.
The Eagles, 1977
(Gijsbert Hanekroot / Redferns)
Love Will Maintain Us Collectively
Captain & Tennille, 1976
Hooks on hooks on hooks.
Clocks
Coldplay, 2004
Wanna really feel previous? Coldplay frontman Chris Martin used his acceptance speech to dedicate the British band’s win to John Kerry, “who hopefully will be your president one day.”
Hi there
Adele, 2017
As pop songs titled “Hello” go, Adele’s is available in an in depth second after Lionel Richie’s.
Please Learn the Letter
Robert Plant and Alison Krauss, 2009
A slow-and-spooky goth-folk rendering of a tune Plant had written and recorded a decade earlier with Led Zeppelin’s Jimmy Web page, “Please Read the Letter” turned a surprise-hit single from Plant and Krauss’ surprise-hit “Raising Sand,” which offered greater than 1,000,000 copies and introduced the duo half a dozen Grammys total. Woman A’s Kelley, whose oldest brother had turned him on to Led Zep as a child — “He made me watch ‘The Song Remains the Same,’” he says, “and I was like, ‘What the hell is this guy doing walking through the mountains with a sword?’” — introduced “Raising Sand” into the studio as he and the remainder of Woman A had been at work on their second LP. “I remember playing it for them and going, ‘Dude, listen to this s—.’ It’s got such a darkness. It was like the coolest freaking record I’d ever heard.”
Depart the Door Open
Silk Sonic, 2022
“Drinks is on Silk Sonic tonight,” Anderson.Paak assured his rivals as he and Bruno Mars accomplished what he precisely termed a “clean sweep” on the Grammys with this four-times-awarded throwback-soul joint.
Aquarius/Let the Sunshine In
The fifth Dimension, 1970
Crisply harmonized but legitimately trippy.
Michael Jackson, 1984
(Reed Saxon / Related Press )
Get Fortunate
Daft Punk that includes Pharrell Williams and Nile Rodgers, 2014
“The main thing they said to me is they wanted to make a record as if the internet never existed,” Rodgers recollects of the transient he obtained from the helmeted robots of France’s Daft Punk. “Most people wouldn’t know how to interpret that. But musicians speak in an interesting language — what I call band-speak, B-A-N-D.” The end result was a pristinely organized Studio 54 homage with actual blood in its veins.
I Left My Coronary heart in San Francisco
Tony Bennett, 1963
Swoon.
Crusing
Christopher Cross, 1981
Arguably the ne plus extremely of seafaring yacht rock, “Sailing” “just feels good — like a warm little blanket,” says Kelley, who leads a side-project cowl band referred to as Dick Unbelievable & the Fabulous 4Skins that performs Cross’ tune about letting the canvas do its miracles. Even so, Cross’ unprecedented Grammy mop-up — along with report of the 12 months, he gained album and tune of the 12 months in addition to finest new artist — set him up for a tough journey as he tried to construct a long-term profession. “Nobody knew what the kid looked like,” says his pal Lukather. “He had a really tasty album with no pictures, and he won all these awards, then people expected John Travolta in his prime or something.”
Simply the Approach You Are
Billy Joel, 1979
A 12 months after this placid soft-rock ballad introduced Joel his first two Grammys — it additionally gained tune of the 12 months — Sinatra launched a ring-a-ding rendition of the tune with a very totally different emotional strategy. “I didn’t care how he did it as long as he did it,” Joel advised The Occasions in 2017. “Twist it into a pretzel if you want.”
Increased Love
Steve Winwood, 1987
“I don’t know if he’s the most soulful white guy, but he’s certainly on the Mt. Rushmore,” Ronson says of the English singer who did time within the Spencer Davis Group, Site visitors and Blind Religion earlier than putting out on his personal. “When music got very slick and expensive-sounding in the late ’80s, he always walked the right side of the line: You could hear the $200,000 Synclavier, but the grooves and arrangements were so clever and intricate. And the message of ‘Higher Love’ — it’s got something really honest and earnest in it.”
Flowers
Miley Cyrus, 2024
She got here in like a disco ball.
The Doobie Brothers, 1980
(Lennox McLendon / Related Press)
Strangers within the Night time
Frank Sinatra, 1967
Ol’ Blue Eyes at maybe his most elegantly pugnacious.
Kiss From a Rose
Seal, 1996
Mentioned Seal in an interview with The Occasions in 2023: “I’m not by any means the world’s greatest singer, but I have a thing that I do, and ‘Kiss From a Rose’ is a showcase of that.”
Change the World
Eric Clapton, 1997
It makes zero sense that the good Kenny “Babyface” Edmonds needed to wait to win report of the 12 months till he produced this acoustic roots-soul jam that Clapton lower for the soundtrack to 1996’s “Phenomenon” (wherein Travolta performs a small-town mechanic who … turns right into a genius after being struck by lightning?). That mentioned, “Change the World” cooks, not least due to the rub between Babyface’s luscious groove and Clapton’s well-creased vocal. Says Crow, who reportedly dated Clapton within the late ’90s: “It’s like Bonnie and ‘Nick of Time’ — these people who’ve lived a full life and then sing a song that cauterizes itself in a moment.”
Someone That I Used to Know
Gotye that includes Kimbra, 2013
A unusual alt-pop success story with a title that proved all too apt.
Don’t Know Why
Norah Jones, 2003
“One take with a live band” is how Jones described her breakout single to The Occasions final 12 months — each a flex concerning her pure vocal finesse and an understatement of her and producer Arif Mardin’s record-making acumen.
24K Magic
Bruno Mars, 2018
Guess who’s again once more?
Tina Turner, 1984
(Richard Drew / Related Press)
Clean
Santana that includes Rob Thomas, 2000
You recognize it from that opening drum hit.
Want You Now
Woman Antebellum, 2011
Fourteen years later, Kelley nonetheless can’t consider his Nashville trio’s energy ballad beat Jay-Z and Alicia Keys’ “Empire State of Mind,” which he thinks would possibly have misplaced solely because of vote-splitting between it and Eminem’s “Love the Way You Lie.” But Kelley and his bandmate Hillary Scott captured an ache in “Need You Now” that transcends style. “It’s almost an R&B song,” Crow says. “The yearning in her voice — it’s too good.”
Rolling within the Deep
Adele, 2012
The tough edges of her singing towards the tough edges of the drums.
This Masquerade
George Benson, 1977
Benson was already one among Rodgers’ two favourite guitarists (together with Wes Montgomery) when the previous lower a swank model of Leon Russell’s “This Masquerade,” wherein he additionally took lead vocal. “I thought I would drop dead,” Rodgers says, evaluating his response to the primary time he heard John Coltrane sing on “A Love Supreme.” “Benson’s voice is magical, man — next-level beautiful.”
Mrs. Robinson
Simon and Garfunkel, 1969
Hey, hey, hey.
Killing Me Softly With His Track
Roberta Flack, 1974
Flack turned the primary artist to win report of the 12 months twice in a row when this vivid account of a pop-star encounter took the prize after her earlier victory with “The First Time Ever I Saw Your Face.”
Roberta Flack, 1974
(Harold Filan / Related Press)
Moon River
Henry Mancini, 1962
Wistfulness embodied.
All I Wanna Do
Sheryl Crow, 1995
Crow triangulates the sound amongst Marvin Gaye, Bob Dylan and Stealers Wheel; she says the lyric illustrates “the burnout of somebody sitting in a bar across from a car wash.” She didn’t plan to place it on her debut album, “Tuesday Night Music Club,” till she despatched her brother a pre-release cassette. “I told him I thought it was a B-side, and he was like, ‘Are you kidding me? That’s your big song.’ He was right, of course: Now I hear it on the radio, and it still sounds so good.”
My Coronary heart Will Go On
Celine Dion, 1999
Too huge to fail.
Mack the Knife
Bobby Darin, 1959
The primary recipient of the Grammys’ coveted finest new artist award (which wasn’t introduced till the ceremony’s second version), 23-year-old Darin doubled up with a report of the 12 months win for his chart-topping tackle the homicide ballad from Bertolt Brecht and Kurt Weill’s “Threepenny Opera.” “The way he swung it and sang it with a smile on his face was just genius,” says McDonald, who calls himself a “huge, huge fan of Bobby Darin, and for the same reason that I’m a fan of Ray Charles and Nat Cole and Frank Sinatra: the confidence that they could take a song from one musical approach and completely re-create it in another.” Grammy voters cherished “Mack the Knife” a lot that they nominated Ella Fitzgerald’s interpretation for report of the 12 months in 1961.
Up, Up and Away
The fifth Dimension, 1968
It took the Grammys till after the Summer season of Love to totally acknowledge that pop music had moved past the crooners and present tunes of the present’s early days. Voters in ’68 didn’t simply go for this flippantly psychedelic flight of fancy — in addition they gave the Beatles their first (and solely) album of the 12 months award for “Sgt. Pepper’s Lonely Hearts Club Band.” Says Rodgers of “Up, Up and Away,” for which Jimmy Webb additionally took tune of the 12 months: “I love the fact that the 5th Dimension were Black and that they represented a different style from what we considered at that time the typical R&B type of vocalizing.”
Rosanna
Toto, 1983
Among the many musicians who didn’t vote to appoint Toto’s “Rosanna,” in accordance with Lukather: the members of Toto, none of whom had but joined the academy when the L.A. band earned a nod for report of the 12 months with this exceedingly artful studio-geek basic. “Once we found out, they wouldn’t let us join until after the Grammys because obviously we would’ve voted for ourselves,” Lukather says. “People can lie and say they don’t do that. They do.”
U2, 2002
(Tony Gutierrez / Related Press)
We Are the World
USA for Africa, 1986
No much less a logistical feat than an inventive achievement, the charity single to finish all charity singles performs in the present day like a home made supercut of ’80s-era extravagance.
What a Idiot Believes
The Doobie Brothers, 1980
“We wanted it to sound like one of the great old records from the ’60s,” McDonald says, which led the Doobies to “go out and get a piece of plywood because we’d heard that Bob Gaudio had done that on some Four Seasons stuff. We came back and mic’d up the plywood and just stomped four on the floor behind the track.”
Lodge California
The Eagles, 1978
A excessive level for polished but hirsute L.A. rock: The Eagles’ Hollywood phantasmagoria is called report of the 12 months the identical evening Fleetwood Mac wins the album prize with the darkly glittering “Rumours.”
It’s Too Late
Carole King, 1972
So totally did King dominate the ’72 Grammys (the place she gained 4 main awards) that her competitors for report of the 12 months included herself: Up towards this smart and jazzy breakup tune was her pal James Taylor’s soothing rendition of King’s “You’ve Got a Friend.”
What’s Love Obtained to Do With It
Tina Turner, 1985
McDonald hears Turner’s comeback smash — the one which launched her as a famous person solo act after she left an abusive marriage to her longtime musical companion Ike — as a testomony to her perseverance. “I don’t know who else could deliver that message the way Tina did,” he says. “From anyone else, the song might’ve just sounded cynical. With her, it took on a kind of profound meaning.”
Beat It
Michael Jackson, 1984
“It’s still the high-water mark for a heavy electric guitar over a dance-pop beat,” Ronson says of Jackson and producer Quincy Jones’ crack at making a rock tune for the world-conquering “Thriller” LP. (That’s Lukather on rhythm guitar and Eddie Van Halen on the solo.) Reckons Crow, who acquired her begin within the music biz as a backup singer for Jackson on tour behind “Bad”: “There’s no one that doesn’t know that song.”
Billie Eilish, 2020
(Related Press)
The First Time Ever I Noticed Your Face
Roberta Flack, 1973
Not a single word is misplaced.
The Lady From Ipanema
Stan Getz and Astrud Gilberto, 1965
Gilberto’s first recorded vocal efficiency — lower, as she advised it, on the suggestion of her husband, Brazilian singer and guitarist João Gilberto — crystallized an concept of pop sophistication that made her an instantaneous star and helped ship the sound of bossa nova all over the world.
Unhealthy Man
Billie Eilish, 2020
The “duh” nonetheless kills.
Rehab
Amy Winehouse, 2008
Ten kilos of perspective in a five-pound bag, Winehouse’s signature tune is tough for Ronson to listen to as of late, given the darkish flip the singer’s life took not lengthy after it got here out. But the tune was born as the 2 joked round whereas strolling via New York Metropolis. “She was like, ‘There was this time my dad came over trying to make me go to rehab, and I said, “No, no, no,”’” Ronson recollects. “The way she said it, it had its own hook and rhythm to it. The song was done in about a week. We were just going on instinct.”
Bridge Over Troubled Water
Simon and Garfunkel, 1971
A kind of songs you possibly can’t fairly consider didn’t exist at one level.
I Will All the time Love You
Whitney Houston, 1994
“There’s no other record where somebody put on a better performance than ‘I Will Always Love You,’” Babyface advised The Occasions in 2022, and it’s onerous to disagree as Houston’s vocal rolls over you in all its splendor and precision. However the best recording by pop’s biggest ballad singer can also be a narrative about Houston’s lifelong drive to carry herself into being. It’s excessive on risk and haunted by loss.