In a pre-recorded bit, Conan O’Brien launched his internet hosting duties on the 97th Acadamy Awards with a nod to “The Substance,” climbing out of Demi Moore’s again however going again in to search for a misplaced shoe. He completed his opening monologue almost 20 minutes later with a song-and-dance quantity that includes a piano-playing sandworm from “Dune” and a dancing Deadpool.
In between, the comic and former late-night host delivered a sharply written section that gave tribute to the ceremony’s nominees whereas additionally subjecting most of the attendees to some good-natured ribbing. Timothée Chalamet was one of the vital outstanding targets, and the 29-year-old lead actor nominee for “A Complete Unknown” was an excellent sport, smiling by way of the teasing, which included a take a look at his early “headshot” — an ultrasound of a fetus.
He famous how the Oscars “is Hollywood’s biggest night — which starts at 4 in the afternoon! Everyone here just had brunch. I don’t understand it.”
Moments later, he quipped how Netflix got here into the Oscars main all studios with “18, count them, price increases.”
From among the many finest image nominees, O’Brien joked that the “Conclave” logline is “a movie about the Catholic Church … but don’t worry.”
O’Brien bought a bit of edgy when he took comedic intention at Karla Sofía Gascón, a lead actress nominee for Netflix’s “Emilia Pérez.” Gascon’s resurfaced tweets about Black Lives Matter, Muslims and different subjects sparked a firestorm through the awards season. He identified that Sean Baker’s “Anora” “uses the f-word 479 times. That’s four more than the record set by Karla Sofía Gascón’s publicist.” Then he adopted the quip with, “Karla, if you are going to tweet about the Oscars, remember, my name is Jimmy Kimmel.” Each strains scored massive with the viewers.
Particular visitor star of the opening was Adam Sandler, who confirmed up in a hoodie and shorts. After O’Brien ridiculed him for his poor wardrobe, Sandler fled in mock anger.
Earlier than he closed, O’Brien highlighted the devastating destruction of the current wildfires that struck Pacific Palisades and Altadena.
“The people of Los Angeles have been through a terrible ordeal,” he stated. “In a moment such as this, any awards show can seem self-indulgent and superfluous.” Noting the powerful circumstances of the trade’s craftspeople, O’Brien stated that “even in the face of terrible wildfires and divisive politics, the work continues,” indicating that the Oscars is a logo of resilience and energy.