When 4 prime movie studio musicians fashioned the Hollywood String Quartet within the late Thirties, its title was presumed an oxymoron. Exalted string quartet devotees belittled movie soundtracks, whereas studio heads had a fame for shunning classical music longhairs.
The musicians spent two intense years in rehearsal earlier than disbanding when warfare broke out, and the quartet was introduced again collectively in 1947 by two of its founders, Felix Slatkin (concertmaster of twentieth Century Fox Studio Orchestra) and his spouse, Eleanor Aller (principal cellist of the Warner Bros. Studio Orchestra). Oxymoron or not, Hollywood produced the primary notable American string quartet.
All through the Fifties, the ensemble made a sequence of revelatory LPs for Capitol Data performing the late Beethoven string quartets and far else, whereas additionally becoming a member of Frank Sinatra in his torchy basic, “Close to You.” Every thing that the Hollywood String Quartet touched was distinctive; each recording stays a basic.
The legacy of the Hollywood String Quartet is a celebration of Hollywood genre-busting and in addition of string quartet making. As we speak, the excellent Lyris Quartet is considered one of many excellent string quartets who will be heard within the newest blockbusters. One other is the New Hollywood String Quartet, which is devoting its annual four-day summer time competition to honoring its inspiration because it celebrates its twenty fifth anniversary.
The quartet’s competition started Thursday evening and runs by way of Sunday in San Marino on the Huntington’s Rothenberg Corridor. The repertory is taken from the sooner group’s outdated recordings. And the live shows are launched by Slatkin and Aller’s oldest son, who as a younger boy fell asleep to his mother and father and their colleagues rehearsing in his front room after dinner.
Conductor Leonard Slatkin speaks on the New Hollywood String Quartet live performance on the Huntington.
(New Hollywood String Quartet)
The celebrated conductor Leonard Slatkin credit his vociferous musical urge for food to his mother and father, who, he stated Thursday, loved the nice scores written on this golden age of film music and in addition championed new classical music in addition to the masterpieces of the previous. L.A. had no opera firm in these days, and Slatkin stated his mother and father likened movie scores to trendy opera scores.
Nearly everybody has heard his mother and father in a single movie or one other. Take “Jaws,” which is celebrating its fiftieth anniversary. That’s Aller’s cello evoking John Williams’ shark-scary earworm.
You’ve little question heard New Hollywood violinists Tereza Stanislav and Rafael Rishik, violist Robert Brophy and cellist Andrew Shulman on some film. IMDb counts Brophy alone as taking part on 522 soundtracks. You may also have heard a number of of the musicians within the Los Angeles Chamber Orchestra, Los Angeles Opera Orchestra or Los Angeles Philharmonic.
The New Hollywood String Quartet, from left: Rafael Rishik, Andrew Shulman, Tereza Stanislav and Robert Brophy.
(Sam Muller)
The New Hollywood’s programming might not embody the unique quartet’s vary, however it’s nonetheless a blended number of items which have considerably fallen by the wayside, equivalent to Borodin’s Second String Quartet. The unique quartet’s performances and swashbuckling recording of the Borodin certainly caught the eye of L.A. director Edwin Lester. In 1953 Lester created and premiered the musical “Kismet,” which adapts components of the Borodin quartet, for Los Angeles Civic Gentle Opera, earlier than it went on to be successful on Broadway.
Instances have modified and the New Hollywood brings a extra strong tone and extra overt interplay to its effusive interpretation in contrast with the silken and playful Slatkin and crew, who had been all Russian-trained gamers. Hugo Wolf’s brief “Italian Serenade,” which opened this system, was right here lush and Italianate, whereas on an early Fifties disc it dances extra evenly.
The massive work was César Franck’s Piano Quintet. Slatkin famous that the recording, launched in 1955, didn’t promote effectively, most likely because of the album cowl’s saturnine portray of a composer that few would acknowledge. Slatkin additionally famous that his mother and father weren’t enamored of their efficiency, however then once more, he defined that they had been temperamentally ever prepared to search out fault.
That recording, which options his uncle, Victor Aller, a swish pianist, is sluggish and commanding. Jean-Yves Thibaudet was the best visitor in each approach for the big-boned efficiency on the Huntington. He’s a French pianist with a aptitude for German music, effectively fitted to the Belgian French composer’s Wagner-inspired rating.
Thibaudet can be a longtime L.A. resident and an particularly versatile performer who occurs to be featured on the brand new soundtrack recording of Dario Marianelli’s “Pride & Prejudice,” which tops Billboard’s classical and classical crossover charts. He and Slatkin additionally return many years, having carried out collectively and develop into such good mates that the conductor turned pages for him within the Franck.
Seeing the 80-year-old Slatkin onstage evoked a exceptional sense of historical past, harking back to the roots to L.A.’s musical openness that his mother and father represented. On my drive house Thursday, I couldn’t resist following the route Albert Einstein would have taken after practising his violin when he lived a 12-minute bike experience away throughout his Caltech years — the time Slatkin’s mother and father had been making music historical past on the studios. Like them, Einstein performed with the L.A. Philharmonic (though invited as soon as not as a result of he was a great violinist however as a result of he was Einstein).
The New Hollywood and Thibaudet made no effort to relive the previous in Franck’s quintet. As a substitute, of their opulence and expressive explosiveness, they confirmed Hollywood easy methods to produce a remake that’s magnificent.
Within the meantime, Leonard Slatkin, who’s a former music director of the L.A. Phil on the Hollywood Bowl, returns later this month to the venue the place his mother and father met in 1935 at a Hollywood Bowl Symphony competitors. He’ll conduct a July 24 program that features a latest work by the subsequent technology of Slatkins. His son, Daniel, is a movie and tv composer.
